Photo 18 Apr 1 note
Photo 18 Apr
Audio 18 Apr 16,879 notes

majestictunes:

neutral milk hotel - holland, 1945

the only girl i’ve ever loved

was born with roses in her eyes

but then they buried her alive

one evening, 1945

Played 7,667 times. via the communist daughter.
Video 18 Apr 2,369 notes
Photo 18 Apr 1,070 notes ratherfuck:

Totes les paraules del món by Sergi Serra Mir on Flickr.
via .
Photo 18 Apr 4,449 notes hippiesispunkz:

naliac:

21slugs:

Hahahahaha class A advertising skills

Haha class A

this is getting a lot of notes wow

hippiesispunkz:

naliac:

21slugs:

Hahahahaha class A advertising skills

Haha class A

this is getting a lot of notes wow

Photo 18 Apr 1,645 notes nevver:

Lisa Congdon
Photo 18 Apr 108,252 notes
via .
Video 18 Apr 2,424 notes

fotojournalismus:

Photographer Charles H. Traub recently released this beautiful series of work, Dolce Via, that transports viewers back in time to Italy in the 1980s. Throughout the decade, the artist frequently visited Italy and captured candid moments of people and places through his lens.

(via mymodernmet)

Photo 18 Apr 9,638 notes tvpartyorchestra:

Nathan Coley

tvpartyorchestra:

Nathan Coley

Photo 18 Apr 1,726 notes mexicanist:

morenita hermosa

mexicanist:

morenita hermosa

(Source: notaqueensphotoblog)

via ew.
Photo 18 Apr 1,192 notes untrustyou:

Alex Prager
via .
Text 18 Apr

i really hope i have a good weekend

Video 18 Apr 3,450 notes

Louise Bourgeois & Tracey Emin - Do Not Abandon Me, 2009-2010

Do Not Abandon Me is a collaboration between Louise Bourgeois and Tracey Emin consisting of sixteen intimate works made over the past two years. These drawings articulate physical drives and feelings, candidly confronting themes of identity, sexuality and the fear of loss and abandonment through joint expression.

This series originated with Bourgeois, who began the works by painting male and female torsos in profile on paper, mixing red, blue and black gouache pigments with water to create delicate and fluid silhouettes. Bourgeois then passed the images on to Emin, who later confessed: ‘I carried the images around the world with me from Australia to France, but I was too scared to touch them’. Emin overlaid Bourgeois’s forms with fantasy, drawing smaller figures that engaged with the torsos like Lilliputian lovers, enacting the body’s desires and anxieties. In one, a woman kisses an erect phallus; in another, a small fetus-like form protrudes from a swollen belly. In many, Emin’s handwriting inscribes the images with a narrative, putting into words the emotions expressed in Bourgeois’s vibrant gouaches.

This suite of prints was one of the last projects Louise Bourgeois completed before her death. They were then printed at Dye-namix studio in New York with archival dyes on cloth in an edition of 18 sets with 6 artist proofs. The exhibition travels to Hauser & Wirth from Carolina Nitsch Project Room, New York, and is accompanied by a fully illustrated catalogue.

(Source: arpeggia)

via euo.
Photo 18 Apr 22,162 notes skipxd:

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